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Reviewed by Jack 10/10 People seem to jump on the old' bandwagon when bashing Kong '76. It'snot that bad!!! For '76 I'd say it was quite an achievement. Lange isgreat in it (and quite stunningly beautiful) and Bridges always rules.Can't go wrong with this version. Don't believe the negative hype. I,for one, appreciate it when someone does a remake and actuallyinterprets the story differently.

Carpenter did it with The Thing andCronenberg did it with the fly and both were amazing. I think thismovies gets more negative comments because they are comparing it to theoriginal, which back in its day was the first movie of its kind (MightyJoe Young is still better!). For movie purists, the thought of remakinga landmark film is always touchy territory. Thus, they rip the remake.The core story is still basically the same, the writers just updatedkey elements that were pivotal 'classic' moments from the original(empire state building for one). Again the purists cry foul.Bottomline, see it and give it a chance. Ignore the pompous so called'experts'. Reviewed by curtis martin 9/10 King Kong (1976) King Kong was a huge hit back in the seventies--I knowbecause I was there, I saw the frenzy, I remember the crowded theaters.Now, admittedly, it also had a huge pr campaign, which undoubtedlyhelped it garner a lot of that dough, but there was a lot more to theflick than just the hype.

And it could have probably been an evenbigger hit if the filmmakers had played it safe and hadn't gone out oftheir way to make a film so stubbornly odd. I mean this thing stompsover a gigantic swath of styles: panoramic spectacle, high adventure,pathos, romance, social commentary, absurdist comedy, thrills, andoccasionally outright goofiness--all comprised in a slyly satiricpackage designed to tweak the noses of Kong purists. Lorenzo SempleJr.' S ('Papillon ') screenplay is all over the place when it comes tostyle and tone, borrowing from whatever and whenever, almost as thoughit had been patched together from several different treatments--yet itstill remains incredibly tight in terms of interesting, well-drawn,consistent characters, witty dialog, exploration of theme, and theforward momentum of the plot. King Kong 76 is a great example ofanarchic postmodernism being perfectly wed to the staunch formalism ofgood storytelling. A contemporary example of this approach would beQuentin Tarantino's Kill Bill films.The direction by veteran John Guillermin was absolutely fearless,pushing each of Semple's concepts to its limit, even at the risk ofseeming silly. And he had a great cast to work with, especially youngJessica Lange in her first film role.

Unfortunately, Jessica played therole of the vivacious, childlike, kinda dimwitted bubblehead blondeDwan so incredibly well that most people wrote her off, assuming shewas just a dumb blonde playing herself. But in actuality it is abravura performance, one of the best in her career, and certainly amore individual, more fully-realized character performance than we getin most movies these days.As big a hit as the disco era Kong was, however, there were a lot ofpeople who were put off because they weren't expecting anything asfreewheeling and insane as what they were given. They weren't expectingweirdness and satire. They weren't expecting to see Kong blowing a hot,wet blonde dry after a dip in a lake (metaphors anyone?), a scenesimultaneously erotic and ridiculous.